Hundreds of Graphic Design Books!
Enjoy!
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Hundreds of Graphic Design Books! Enjoy! |
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| Beakley George, C., G. Chilton Ernest, et al. (1973). Introduction to engineering design and graphics. With contributions by Michael J. Nielsen. New York, Macmillan; London: Collier-Macmillan. |
| Beakley, G. C. and D. D. Autore (1975). Graphics for design and visualization: problems. New York; London, Macmillan Publishing Co: Collier-Macmillan. |
| Beakley, G. C. and E. G. Chilton (1973). Introduction to engineering design and graphics. New York; London, Macmillan: Collier-Macmillan. |
| Beakley, G. C. and E. G. Chilton (1974). Design: serving the needs of man. New York; London, Macmillan: Collier Macmillan. |
| Beakley, G. C., D. D. Autore, et al. (1973). Graphics for design and visualization. New York; London, Macmillan: Collier-Macmillan. |
| Beall, M. E., H. Fulmer, et al. (1996). Inside AutoCAD LT for Windows 95. Indianapolis, Ind., New Riders Pub. |
| Beardon, C., A. Conference on Computers in, et al. (1995). Digital creativity: proceedings of the 1st Conference on Computers in Art & Design Education (CADE '95), University of Brighton 18-21 April 1995. Brighton, University of Brighton. |
| Beare, G. C. and G. Dulwich Picture (2003). The art of Heath Robinson. London, Dulwich Picture Gallery. |
| Beasley, D. (1979). Design illustration: sketching and shading techniques. London, Heinemann Educational Books Ltd. |
| Beasley, D. (1984). Design presentation: layout and colouring techniques. Oxford, Heinemann Educational. |
| Beaumont, M. (1987). Type & colour. Oxford, Phaidon. |
| Becker, L., R. Hollis, et al. (2004). Avant-garde graphics 1918-1934: from the Merrill C. Berman Collection. London, Hayward Gallery Pub. |
| Behoriam, E. and G. Poyssick (1995). Adobe illustrator creative techniques. Indianapolis, Ind, Hayden Books. |
| Bell, C. G. and I. Ardent Computer (1989). The 11 rules of supercomputer design. Distinguished lecture series. Stanford CA, University Video Communications. |
| Bell, J. A. (1998). 3D Studio MAX R2.5 f/x and design. Albany, NY, Coriolis. |
| Bellantoni, J. and M. Woolman (2000). Type in motion: innovations in digital graphics. London, Thames & Hudson. |
| Bendall, T. (2003). Graphic products: design and technology. London, BBC Educational Publishing. |
| Bennett, W. S. (1992). Visualizing software: a graphical notation for analysis, design, and discussion. New York, Marcel Dekker. |
| Bentley, P. (1999). "Evolutionary design by computers.". |
| Berckenhagen, E. (1980). Kunstbibliothek und Museum für Modebild und Grafik-Design, Staatliche Museen Preussischer Kulturbesitz. Stuttgart, Belser. |
| Bereswill Joseph, W. (1987). Corporate design: graphic identity systems. Glen Cove, N.Y., PBC International. |
| Berman, M. C. and L. Dickerman (1996). Building the collective: Soviet graphic design, 1917-1937: selections from the Merrill C. Berman collection. New York, Princeton Architectural Press. |
| Berry, S. and J. Martin (1991). Designing with colour: how the language of colour works and how to manipulate it in your graphic designs. London, Batsford. |
| Berryhill, G. (2000). Designing web site images: a practical guide. Albany, N.Y.; London, Delmar: Thomson Learning. |
| Berryman, G. (1984). Notes on graphic design and visual communication. Los Altos, Calif., W. Kaufmann. |
| Berryman, G. (1994). Designing creative portfolios. Menlo Park, CA, Crisp Publications. |
| Bertauski, T. (2003). Plan graphics for the landscape designer: with section -elevation and computer graphics. Upper Saddle River, N.J.; [Great Britain], Prentice Hall. |
| Bertin, J. (1981). Graphics and graphic information-processing. Berlin, Walter de Gruyter. |
| Bethune, J. D. (2002). Engineering design and graphics with Mechanical Desktop 5.0. Upper Saddle River, N.J., Prentice Hall. |
| Betz Elisabeth, W. and C. Library of (1982). Graphic materials: rules for describing original items and historical collections. Washington, D.C., Library of Congress. |
| Bevan, A. and J. Sambrook (1966). Tillot blocks. 18th and 19th century applied woodcuts. Written and designed by Anthony Bevan & Julian Sambrook. [Canterbury], printed at the School of Graphic Design, Canterbury School of Art. |
| Beyer, J. (1979). Patchwork patterns: for all crafts that use geometric design, quilting, stained glass, mosaics, graphics, needlepoint, jewelry, weaving, and woodworking. McLean, Va., EPM Publications. |
| Beyer, J. (1984). Patchwork patterns: for all crafts that use geometric design-quilting, stained glass, mosaics, graphics, needlepoint, jewellery, weaving and woodworking. London, Bell & Hyman. |
| Bezalel (1900). Department of Graphic Design, Belazel Academy of Arts and Design. [Jerusalem, Bezalel. |
| Bhaskaran, L. (2004). Size matters: effective graphic design for large amounts of information. Crans-Pres-Celigny; Hove, RotoVision. |
| Biegeleisen, J. I. (1976). Design and print your own posters. New York, Watson-Guptill Publications. |
| Bierut, M. and A. American Institute of Graphic (1994). Looking closer: critical writings on graphic design. New York, Allworth Press: American Institute of Graphic Arts. |
| Bierut, M. and A. American Institute of Graphic (1999). Looking closer 3: classic writings on graphic design. New York, Allworth Press. |
| Bierut, M., S. Heller, et al. (1997). Looking closer 2: critical writings on graphic design. New York, Allworth Press with American Institute of Graphic Arts. |
| Bierut, M., W. Drenttel, et al. (2002). Looking closer 4: critical writings on graphic design. New York, Allworth Press. |