Hundreds of Graphic Design Books!
Enjoy!
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Hundreds of Graphic Design Books! Enjoy! |
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| Brown, D. and B. Chanrasekaran (1979). Design consideration for picture production in a natural language graphics. Columbus, Ohio, Computer and Information Science Research Center. |
| Brown, P., E. Goldsmith, et al. (1986). Electronic design in the graphic arts. [Brighton], Sallis Benney Theatre, Faculty of Art and Design, Brighton Polytechnic. |
| Browne, L. J. I. and C. Computer Aided Design (1972). Curved surfaces in engineering: computer methods for design and manufacture; a conference organized by the Computer Aided Design Centre, Cambridge and the journal Computer Aided Design, 15-17th March 1972, Churchill College, Cambridge, England. Guildford, IPC Science and Technology Press Ltd. |
| Bruin, D. W. d., F. B. Sperling, et al., Eds. (1985). Automated (V)LSI design and interactive graphics workstations, IEEE Student Branch Delft. |
| Brunet, P., C. M. Hoffmann, et al. (2000). CAD tools and algorithms for product design. Berlin; London: Springer. |
| Brunner, F. (1962). A Handbook of graphic reproduction processes: a technical guide including the printmaking processes for art collectors and dealers, librarians, booksellers, publishers, artists, graphic designers and the printing trade. Teufen, Switzerland, Arthur Niggli. |
| Brunner, F. (1964). A handbook of graphic reproduction processes: a technical guide including the print-making processes for art collectors and dealers, librarians, booksellers, publishers, artists, graphic designers and the printing trade. Teufen, A. Niggli. |
| Bryan, M. (1994). Fractal Design Painter: Dazzling Digital Art. New York; London, Windcrest/McGraw-Hill. |
| Buchan, J. (1986). The graphic artist's handbook. London, Macdonald & Co. |
| Buchanan, L. (2002). Graphically speaking: a visual a-z for achieving better designer-client communication. Newton Abbot, David & Charles. |
| Buchanan, L. (2002). Graphically speaking: a visual a-z guide for better designer-client communication. Newton Abbot, David & Charles. |
| Buchanan, L. (2003). Graphically speaking: a visual lexicon for achieving better designer-client communication. Cincinnati, OH, How Design books. |
| Buckle, A. and P. Buckle (1997). Graphic products to GCSE. Oxford, Oxford University Press. |
| Buckle, P. and A. Buckle (1997). Graphic products. Oxford, Oxford University Press. |
| Buckley, C. and T. University of Newcastle upon (1981). Isokon: architecture, furniture and graphic design, 1931-1939. Newcastle upon Tyne, University of Newcastle upon Tyne. |
| Buehrens, C. (1988). VersaCAD: a practical approach to computer-aided design. Blue Ridge Summit, Pa., Tab Books. |
| Bulloch, I., T. Chambers, et al. (1990). Design. London, Two-Can. |
| Burden, E. (1996). Entourage: a tracing file for architecture and interior design drawing. New York, McGraw-Hill. |
| Burden, G. P. and P. Croy (1968). [Grafik, Form & Technik.] Graphic design and reproduction techniques. (Translated by G. P. Burden.) [With illustrations.]. London & New York, Focal Press. |
| Burden, G. P., M. Lilien Otto, et al. (1972). Graphic design and reproduction techniques. (Translated by G. P. Burden.) 2nd ed. revised. (New material translated by Otto M. Lilien.). London, Focal Press. |
| Burgen, A. S. V., G. C. K. Roberts, et al., Eds. (1986). Molecular graphics and drug design. Amsterdam, Elsevier. |
| Burgoyne, P. and J. Leslie (1997). Surf/skate/snow graphics. London, Laurence King. |
| Burgoyne, P. and J. Leslie (2003). Board: surf/skate/snow graphics. London, Laurence King. |
| Burnett, G., L. Burnett, et al. (2002). "Learning to learn: assess your multiple intelligences and learning style.". |
| Burnhill, P. (2003). Type spaces: in-house norms in the typography of Aldus Manutius. London, Hyphen. |
| Burtin, W., C. Contemporary Arts, et al. (1956). Will Burtin: recent graphic design, May 1-20, 1956. [Cincinnati, Ohio, The Museum. |
| Busch, A. and V. Vienne (2004). Fresh dialogue 3: new voices in graphic design. New York, Princeton Architectural. |
| Busch, D. D. (1999). Astonishing web graphics with Kai's power tools and plug-ins. San Diego; London, AP Professional. |
| Caban, G. (2004). World graphic design: contemporary graphics from Africa, the Far East, Latin America and the Middle East. London, Merrell. |
| Cabarga, L. (1994). Progressive German graphics: 1900-1937. San Francisco, Chronicle Books. |
| Cabarga, L. (1999). The designer's guide to color combinations. Cincinnati, Ohio; London, North Light: Hi Marketing. |
| Cabarga, L. (2001). The designer's guide to global color combinations: 750 color formulas in CMYK and RGB from around the world. Cincinnati, Ohio, [Great Britain], How Design Books. |
| Cagle, K. (2002). SVG programming: the graphical web. Berkeley, Calif., Apress. |
| Caldwell, R. (1997). Graphic communication. Tonbridge, Hands On Publishing. |
| Calza, G. C. and I. Tanaka (1997). Tanaka Ikko: graphic master. London, Phaidon. |
| Campbell, A. (1983). The designer's handbook. London, Macdonald. |
| Campbell, A. (1992). The Macdesigner's handbook. London, Harper Collins. |
| Campbell, A. (1993). The new designer's handbook. London, Little, Brown. |
| Campbell, A. (2000). The designer's lexicon. London, Cassell & Co. |
| Campbell-White, A. and C. Stanford University. Libraries. Dept. of Special (1993). Moderns: the Annette Campbell-White Collection: a book exhibition at the Stanford University Libraries, Department of Special Collections, January 24-April 7, 1993, Cecil H. Green Library, Stanford University, Stanford, California. [Stanford, Calif., Stanford University Libraries, Dept. of Special Collections. |