Hundreds of Graphic Design Books!
Enjoy!
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Hundreds of Graphic Design Books! Enjoy! |
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| Hamilton, E. A. (1970). Graphic design for the computer age: visual communication for allmedia. New York, Van Nostrand Reinhold. |
| Hamlin, J. S. and D. J. Emberton (2001). Flash 5 Magic with ActionScript. Indianapolis, IN, New Riders Publishing. |
| Hamlin, J. S. and J. S. Hall (2002). Flash MX ActionScript: the designer's edge. San Francisco, Calif.; London, Sybex. |
| Hamlin, J. S. and J. S. Hall (2002). Flash MX ActionScript: the designer's guide. San Francisco, Calif.; London, Sybex. |
| Hammond, R. H. (1964). Engineering graphics for design and analysis. New York, Ronald. |
| Hammond, R. H. (1971). Engineering graphics: design, analysis, communication. New York, Ronald Press. |
| Han, S. H. and T. University of Newcastle upon (1985). Application of computer graphics to the conceptual design of roll- on/roll-off ships with 2 decks. Newcastle upon Tyne, University of Newcastle upon Tyne. |
| Hancock, G. (2000). Skills in graphic products. Oxford, Heinemann. |
| Hancock, G. (2001). GCSE graphic products for OCR. Oxford, Heinemann. |
| Hansen, J. B. and B. University of (1983). A graphics design system for artists, University of Bath. |
| Haritsis, A. (1989). HIGS: a Hierarchical Interactive Graphics System (design and implementation). |
| Harmon Robert, B. (1981). Graphic Communication in Architectural Design: A Selected Bibliography. Monticello ILLinois, Vance Bibliographies. |
| Harper, L. (2001). Provocative graphics: the power of the unexpected in graphic design. Gloucester, Mass., Rockport Publishers. |
| Harper, T. and S. Booth (1998). Step by step electronic design techniques. Berkeley, CA, Peachpit Press. |
| Harper, T. and S. Booth (1998). Step-by-step electronic design techniques: the hottest techniques from top graphic designers. Berkeley, CA, Peachpit Press. |
| Harper, T. and S. Booth (1998). Step-by-step electronic design techniques. Berkeley, CA, Peachpit Press. |
| Harrington, D., B. Burchard, et al. (2002). Inside AutoCAD 2002. Indianapolis, Ind.; [Great Britain], New Riders. |
| Harris, J. (2000). Surface tension - the aesthetic fabrication of digital textiles: (the design and construction of 3D computer graphic animation), Royal College of Art. |
| Harter, J. (1980). Music: a pictorial archive of woodcuts & engravings; 841 copyright-free illustrations for artists & designers. New York, Dover; London: Constable. |
| Harter, J. (1985). Hands: a pictorial archive from nineteenth-century sources: 1166 copyright-free illustrations for artists and designers. New York; London, Dover: Constable. |
| Harvey, M. (1996). Creative lettering today: calligraphy in the graphic arts, drawing and design, digital letterforms, carving letters in stone and wood. London, A & C Black. |
| Harvey, W. (2004). 1,000 graphic elements: special details for distinctive designs. Gloucester, Mass., Rockport. |
| Hashimoto, A. (2004). Visual design fundamentals: a digital approach. Hingham, Mass., Charles River Media. |
| Hasler, C. (1980). The royal arms: its graphic and decorative development. London, Jupiter Books. |
| Havinden, M. A. and S. National Galleries of (2003). Advertising and the artist: Ashley Havinden. Edinburgh, National Galleries of Scotland. |
| Havinghurst, L. (1996). Cyber design: computer-manipulated illustration. Rockport, Mass, Rockport Publishers. |
| Hawkes, B. (1995). Succeeding with AutoCAD: a full course in 2D drafting and 3D modelling. London, McGraw-Hill. |
| Hawkesworth, R. and E. University of Portsmouth (1994). Housing design in the private sector: an architect's view towards a design philosophy. Portsmouth, England, Serious Graphics, University of Portsmouth Enterprise. |
| Haworth-Booth, M. (1994). E. McKnight Kauffer: painter, poster artist, graphic designer extraordinary. London, Shell Education Service. |
| Haworth-Booth, M. and E. M. Kauffer (1979). E. McKnight Kauffer: a designer and his public. London, G. Fraser. |
| Healey, R. G. and A. C. Messer (1988). The RRL Browser: issues in the design and implementation of a SASPAC interface. [Edinburgh], Regional Research Laboratory for Scotland. |
| Heard, S., K. Patten, et al. (1996). 1996 British design and art direction: the 34th annual of the best in British and international advertising and design. [London], Designers and Art Directors Association of the United Kingdom. |
| Heartfield, J. (2004). Make your small business website work: easy answers to content, navigation, and design. Gloucester, Mass., Rockport. |
| Heathcote, F. R. (2005). Flash MX 2004: right from the start. Oxford, Payne-Gallway. |
| Heinicke, E. (2002). Web tricks and techniques: layout: fast solutions for hands-on design. Gloucester, Mass.; [Great Britain], Rockport Publishers. |
| Heiny, L. and K. Weiskamp (1994). Power graphics using Turbo C++. New York; Chichester, Wiley. |
| Helfand, J. (2001). Screen: essays on graphic design, new media, and visual culture. New York, Princeton Architectural Press. |
| Helfand, W. H. and C. Grolier (2002). Quack, quack, quack: the sellers of nostrums in prints, posters, ephemera & books: an exhibition on the frequently excessive and flamboyant seller of nostrums as shown in prints, posters, caricatures, books, pamphlets, advertisements & other graphic arts over the last five centuries. New York; [Great Britain], The Grolier Club. |
| Heller, S. (1998). The education of a graphic designer. New York, Allworth Press [in association with the] School of Visual Arts. |
| Heller, S. (1999). Design literacy (continued): understanding graphic design. New York; [Great Britain], Allworth Press. |