Hundreds of Graphic Design Books!
Enjoy!
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Hundreds of Graphic Design Books! Enjoy! |
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| Rivers, C. (2004). Maximalism: the graphic design of decadence & excess. Mies, Switzerland; Hove, Engl., RotoVision. |
| Robert Gordon's, C. (1964). The Gordon Highlanders Museum. An illustrated account designed and printed by 4th year graphic design students of Gray's School of Art, Aberdeen. 1963-1964, Aberdeen. |
| Roberts David, D. and C. Kostelnick (1997). Designing visual language: strategies for professional communicators. Boston, Mass., Allyn and Bacon. |
| Roberts, D. (1979). Graphic lines. Lancashire, Harris Press. |
| Roberts, J. T. (2003). Introduction to AutoCAD 2002. Ipswich, Payne-Gallway. |
| Roberts, J. T. w. o. C. A. D. (1997). AutoCAD: a companion guide. London, Autodesk. |
| Robertson, B. (1988). Designing with letters: lettering workbooks. London, Studio Vista. |
| Robins, G. and C. C. D. Shute (1985). Mathematical bases of Ancient Egyptian architecture and graphic art. New York [etc.], Academie Press [etc.]. |
| Rockport Allworth, E. (1992). Computer graphics: the best of computer art and design. Rockport, MA, Rockport Allworth Editions. |
| Rodríguez, W. (1992). The modeling of design ideas: graphics and visualization techniques for engineers. New York; London, McGraw-Hill. |
| Romano, F. J. (1984). The typEncyclopedia: a user's guides to better typography. New York; London, Bowker. |
| Rongxi, T., Ed. (1994). Proceedings of the 4th international conference on computer-aided drafting, design and manufacturing technology. China, International Academic Publishers. |
| Rose, C. (1991). Design after dark: the story of dancefloor style. London, Thames and Hudson. |
| Rosenberg, R. F. (1998). Computing without mice and keyboards: text and graphic input devices for mobile computing. London, [unpublished]. |
| Rosenfeld, A. and M. Jane Voorhees Zimmerli Art (1999). Defining Russian graphic arts: from Diaghilev to Stalin, 1891-1934. New Brunswick, NJ, Rutgers University Press: Jane Voorhees Zimmerli Art Museum, Rutgers, the State University of New Jersey. |
| Rosentswieg, G. and B. Fernandez (1993). San Francisco, graphic design. New York, N.Y., Madison Square Press. |
| Roskes, B. and B. DeWitt (2004). The SketchUp book: version 4: a collection of exercises, tips and tricks that will maximize your investment in SketchUp. [West Caldwell, NJ], Conceptual Product Development, Inc. |
| Rosner, C. and L. National Book (1957). Design & printing in the Netherlands: a survey. Amsterdam, Graphic Export Centre. |
| Roth, L. (1981). Package design: an introduction to the art of packaging. Englewood Cliffs, N.J., Prentice-Hall Inc. |
| Rotherham, J. B. (1903). The emphasised New Testament: a new translation designed to set forth the exact meaning, the proper terminology, and the graphic style of the sacred original. and emphasised throughout after the idioms of the Greek tongue. London, H.R. Allenson. |
| Rotherham, J. B., B. F. Westcott, et al. (1897). The emphasised New Testament: a new translation: designed to set forth the exact meaning, the proper terminology and the graphic style of the sacred originals; arranged to show at a glance narrative, speech, parallelism, and logical analysis; and emphasised throughout after the idions of the Greek tongue. London, H.R. Allenson. |
| Rothschild, D. M., E. Lupton, et al. (1998). Graphic design in the mechanical age: selections from the Merrill C. Berman collection. New Haven, Conn.; London, Yale University Press in conjunction with Williams College Museum of Art [and] Cooper-Hewitt National Design Museum, Smithsonian Institution. |
| Rouard-Snowman, M. (1992). Museum graphics. London, Thames and Hudson. |
| Rowe, W. (1984). New art deco borders and motifs. New York; London, Dover: Constable. |
| Rowley, T. (1983). Designs from your mind with Atari graphics. Reston, Reston Publ. |
| Royal College of, A. (1963). Graphics RCA: fifteen years' work of the School of Graphic Design, Royal College of Art. London, Royal College of Art. |
| Roylance, D. (1986). European graphic arts: the art of the book from Gutenberg to Picasso. Princeton, N.J, Princeton University Library. |
| Rumbarger, J., R. Vitullo, et al. (2003). Architectural graphic standards for residential construction. Hoboken, N.J.; [Chichester], John Wiley & Sons. |
| Russell, D. (1991). Colourworks. Oxford, Phaidon. |
| Ryan Daniel, L. (1990). Technical sketching and computer illustration, Prentice-Hall. |
| Ryan, D. and A. Minneapolis Institute of (2001). Letter perfect: the art of modernist typography, 1896-1953. Rohnert Park; Fullbridge, Pomegranate. |
| Ryan, D. L. (1983). Computer-aided architectural graphics. New York, Marcel Dekker. |
| Ryan, D. L. (1986). Modern graphic communications: a CAD approach. Englewood Cliffs, N.J.; London, Prentice-Hall. |
| Ryan, D. L. (1987). Modern Graphic Communications. [Hemel Hempstead], Prentice-Hall. |
| Ryan, D. L. (1994). Computer-aided graphics and design. New York, M. Dekker. |
| Sackmann, E. (1986). Great masters of fantasy art. Berlin, TACO. |
| Saiki, M. K. (2002). 12 Japanese masters. New York, Graphis. |
| Salman Amer, S. (1991). Computer graphics studies of Islamic geometrical patterns and designs, University College of North Wales. |
| Samara, T. (2002). Making and breaking the grid: a graphic design layout workshop. Gloucester, Mass., Rockport. |
| Samara, T. (2003). Making and breaking the grid: a layout design workshop. Gloucester, Mass.; Hove, Rockport: RotoVision. |