Hundreds of Graphic Design Books!
Enjoy!
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Hundreds of Graphic Design Books! Enjoy! |
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| Sekiguchi, Y. and M. Goldsholl (1987). Inside design: where a concept unfolds, Graphic-Sha. |
| Sekisui, H. (1988). Interior designing. Tokyo, Graphic-sha Publishing. |
| Selz, P. H., M. Constantine, et al. (1975). Art nouveau: art and design at the turn of the century. New York; Boston, Museum of Modern Art: distributed by New York Graphic Society. |
| Sembach, K.-J. (1986). Style 1930: elegance and sophistication in architecture, design, fashion, graphics and photography. New York, Universe Books. |
| Seol, E. (2002). Flash MX motion graphics. Alameda, Sybex. |
| Serratosa, F. (1990). Organic chemistry in action: the design of organic synthesis. Amsterdam; Oxford, Elsevier. |
| Sesto, C. (1996). The Macintosh designer's guide to digital imaging: controlling black & white and color output. New York; Chichester, Wiley. |
| Sesto, C. (1996). The Macintosh designer's guide to digital imaging: controlling black and white and color output. New York; Chichester, Wiley. |
| Shafran, A. B. (1998). Creating Paint Shop Pro Web graphics. Cincinnati, Ohio, Muska & Lipman. |
| Shapiro, E. (2003). The graphic designer's guide to clients: how to make clients happy and do great work. New York, Allworth Press. |
| Shaughnessy, A. and Intro (1999). Sampler: contemporary music graphics. London, Laurence King. |
| Shepard, T. and A. Assessment and Qualifications (2004). Graphic products revision guide. Cheltenham, Nelson Thornes. |
| Shepard, T. and A. Loft (2001). Design & make it! graphic products. Cheltenham, Nelson Thornes. |
| Shepherd, R. and R. Shepherd (2002). 1000 symbols: what shapes mean in art and myth. London, Thames & Hudson. |
| Sheppard, C., C. Sauvageot, et al. (1980). Girls apart. London, Tele-Cine. |
| Shepter, J. (2002). Personal web sites: top designers push the boundaries with experimental design and graphics. Gloucester, Mass., Rockport. |
| Sherman, W. R. and A. B. Craig (2003). Understanding virtual reality: interface, application, and design. Amsterdam; London, Morgan Kaufmann. |
| Shimizu, Y. (2002). New marker techniques. Tokyo, Nippan; London: Hi Marketing. |
| Shipcott, G. (1994). Typography for desktop publishers. London, Batsford. |
| Shirley Richard, S. (1992). Computer graphics for industrial applications. Englewood Cliffs, N.J., Prentice Hall. |
| Shoup, T. E., L. S. Fletcher, et al. (1981). Introduction to engineering design: with graphics and design projects. Englewood Cliffs; London, Prentice-Hall. |
| Siders, R. A. and A. American Management (1966). Computer graphics: a revolution in design. New York, American Management Association. |
| Sidles, C. J. (2001). Graphic designer's digital printing and prepress handbook. Gloucester, Mass., Rockport. |
| Sieber, R. and A. Museum of Modern (1972). African textiles and decorative arts. New York, Museum of Modern Art; distributed by New York Graphic Society, Greenwich, Conn. |
| Siegel, R. (1984). American graphic designers: thirty years of design imagery. New York, McGraw-Hill. |
| Signs of the Times, M. (1985). Sign design: contemporary graphic identity. New York, PBC International. |
| Silva-Ruiz, J. (1977). Graphic communication in urban design. Oxford, Oxford Polytechnic, Joint Centre of Urban Design. |
| Silver Gerald, A. (1981). Graphic layout and design. New York; London, Van Nostrand Reinhold. |
| Simms, K. (1981). Graphic communication for technical design. London, Macmillan. |
| Simms, K. (1981). Graphic communications for technical design. London, Macmillan Press. |
| Simon, O. (1947). Introduction to typography. London, Faber and Faber. |
| Simonds-Gooding, A., M. Lewis, et al. (1995). 1995: British design and art direction: the 33rd annual of the best in British and international advertising and design. London, The Designers and Art Directors Association. |
| Simpson, I. (1990). The new guide to illustration. Oxford, Phaidon. |
| Sims, M. (1991). Sign design: graphics, materials, techniques. London, Thames and Hudson. |
| Skinner, H. (1994). Videographics: design for the small screen. London, Batsford. |
| Slaby Steve, M., Y. Zhu, et al. (1985). Proceedings. International Conference on Engineering and Computer Graphics, August 27 - September 1, 1984, Beijing, China, Beijing. |
| Slaby, S. M. (1966). Fundamentals of three-dimensional descriptive geometry. New York, Harcourt, Brace & World. |
| Slater, J., M. Coles, et al. (1987). Borders, layouts and designs. Blackwood, S.A., Alpha Visuals. |
| Smejkalová, J. and d. Biennale of graphic (1982). Graphic design in the service of culture and art: international symposium. Brno, Moravian gallery. |
| Smeltzer, R. K. and C. Grolier (2004). Four centuries of graphic design for science: from the collection of Roland K. Smeltzer. New York, The Grolier Club. |