Hundreds of Graphic Design Books!
Enjoy!
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Hundreds of Graphic Design Books! Enjoy! |
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| Vero, R. and B. Wood (1983). Airbrush: the complete studio handbook. London, Columbus. |
| Vienne, V. and S. Mullarkey (2004). Fresh dialogue 4: new voices in graphic design. New York; London, Princeton Architectural: Hi Marketing. |
| Vigiak, M. (1988). Omnibus: architectural, graphic product, public, textile and surface designers italiani. Udine, Magnus edizioni. |
| Vigiak, M. (1999). Omnibook 6: graphic & multimedia designers. Milan, Ikon Editrice. |
| Vince, J. (1985). Computer graphics for graphic designers. London, Frances Pinter. |
| Vince, J. (1990). The language of computer graphics: a dictionary of terms and concepts. London, Architecture Design and Technology Press. |
| Vince, J. (1992). Computer graphics, John Vince. London, Design Council. |
| Vince, J. and C. Design (1992). Computer graphics, Design Council. |
| Vizmuller, P. (1998). Design centering using Mu-Sigma graphics and system simulation. Boston, Mass., Artech House. |
| Vlissides, J. M., M. A. Linton, et al. (1988). Applying object-oriented design to structured graphics. Stanford, Computer Systems Lboratory, Stanford University. |
| Voisinet, D. D. (1983). Introduction to computer-aided drafting. New York; London, Gregg Division, McGraw-Hill. |
| Voland, G. G. S. (1987). Instructor's reference guide with test bank and transparency to accompany Modern engineering graphics & design. St. Paul, West Pub. Co. |
| Voland, G. G. S. (1987). Modern engineering graphics & design. St. Paul, West Pub. Co. |
| Von Volborth, C.-A. (1987). The art of heraldry. Poole, Dorset; New York; New York, NY, Blandford Press: Distributed in the U.S. by Sterling Pub. Co. |
| Vredenburg, K., S. Isensee, et al. (2002). User-centered design: an integrated approach. Upper Saddle River, N.J., Prentice Hall PTR. |
| Vrontikis, P. (2002). Inspiration = ideas: a creativity sourcebook for graphic designers. Gloucester, Mass.; Hove, Rockport: RotoVision. |
| Wagner, E. (1988). The computer display designers' handbook. Lund, Studentlitteratur. |
| Wagner, S. C. and M. L. Closen (1986). The shopping bag: portable art. London, Columbus Books. |
| Wahlster, W. and I. Deutsches Forschungszentrum für Künstliche (1991). Designing illustrated texts: how language production is influenced by graphics generation. Kaiserslautern, Deutsches Forschungszentrum fur Kunstliche Intelligenz. |
| Wake, W. K. (2000). Design paradigms: a sourcebook for creative visualization. New York; Chichester, Wiley. |
| Wakerman, E., B. Zoell, et al. (1979). Air powered: the art of the airbrush. New York, Random House. |
| Walker, S. (2001). Typography and language in everyday life: prescriptions and practices. Harlow, England, New York, Longman. |
| Walker, S. and L. National Centre for Language and (2005). The songs the letters sing: typography and children's reading. Reading, National Centre for Language and Literacy. |
| Walker, T. D. (1985). Plan graphics: drawing, delineation, lettering. Mesa, Ariz., PDA. |
| Wallace, S. P. (1999). Programming Web graphics with PERL and GNU software. Sebastopol, Calif.; Cambridge, O'Reilly. |
| Wallgren, A. (1996). Graphing statistics & data: creating better charts. Thousand Oaks, Calif; London, Sage Publications. |
| Wallis, P. J. L. and L. Infotech International (1979). Structured software development. Maidenhead, Infotech International. |
| Walsh, A. E. and M. Bourges-Sévenier (2001). Core Web 3D. Upper Saddle River, N.J., Prentice Hall. |
| Walters, H. and T. Fletcher (2001). 100% cotton: t-shirt graphics. London, Laurence King. |
| Walters, T. (1972). Art Nouveau graphics. London (Holland St., W.8), Academy Editions. |
| Walton, R. (1997). Sight for sound: design & music mixes. New York, Hearst Books International. |
| Walton, R. (1997). Typographics 2: cybertype: 'zines + screens. New York, NY; Cincinnati, OH, Hearst Books International: Distributed in North America by North Light Books. |
| Walton, R. (2002). Big type. New York, HBI. |
| Walton, R. (2003). Typographics five: graphic fusion. New York, HBI. |
| Ward, D. (1988). Illustration for advertising. London, Macdonald / Orbis. |
| Warford, H. S. (1971). Design for print production: the interaction between design, planning and production of print. London; New York, Focal Press. |
| Warmke, C. (2003). Colossal design: 366 inspiring designs with stories behind the concepts. Cincinnati, Ohio, Writer's Digest; Newton Abbot: David & Charles. |
| Warmke, C. (2003). Colossal design. Cincinnati, Ohio, HOW Design Books. |
| Warren, J. D. and H. Weimer (2002). Subdivision methods for geometric design: a constructive approach. San Francisco; London, Morgan Kaufmann. |
| Watkinson, R. (1970). Pre-Raphaelite art and design. Greenwich, Conn., New York Graphic Society. |